In Search for Walter Gropius: Total Theatre

Sarah Hearne / 2003

France, Netherlands

This study focuses on two recent architecturally significant theatres, in relation to the ideologies of Walter Gropius as described in the `Totaltheatre’ concept of 1927. The `Theatre L’Eclat (2000) Pont Audemer, by Jakob MacFarlane and the New Luxor Theatre (2001) Rotterdam, by Bolles Wilson are studied.

The report explores how the task of designing a building for performance has been tackled in each case, and comparatively, through the analysis of each theatre and in conversation with the architects themselves.

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